Monday, September 28, 2009
To begin with, mooncakes are part and parcel for this particular Chinese festival--known in Chinese--Mid. Autumn Festival, aka in English as Lantern Festival/Mooncake Festival. The origins of this festival was about the celebration of the harvest which took place in the middle of autumn, that will be in August by the lunar calendar. 15th of August, to be exact when it is believed that will the brightest full moon of the entire year. The mooncakes, which are consumed on this festival, are made to resemble the moon, in a way, with the egg yolk within the lotus paste.
There are alot of myths associated with this festival, including one which took place during Yuan Dynasty when the Han Chinese were reigned by the Mongols. It was said that notes with plans to upsurp the dynasty were hidden within the mooncakes.
Chinese version of cakes
The idea of cakes are very different from the Western form of cakes. Chinese cakes are nothing like sponge cakes, closer to biscuits but softer and they usually come with a filling. For mooncakes, the golden brown crust is not flakey but soft. Traditionally, lotus paste is used for the fillings, together with egg yolks. The more luxurious mooncakes are those that come with four yolks, so that each quarter of a mooncake will carry the entire egg yolk.
I love the egg yolks!
A slice of the cake
The industry for mooncakes has definitely flourished in a span of four years. So much so that even occidental companies like The TWG and Starbucks (yes, Starbucks) are competiting for a slice of this industry.
Many years ago, the snow-skin mooncakes have come and settled into our selection of mooncakes for good. It is softer than the traditional crust and it's cool to taste. Due to the nature of the skin, it has to be stored in the fridge.
To give you an idea of how many flavours of mooncakes in this current industry:
champagne, truffles, lychee liquer, soursop, apricot, strawberry, osmanthus (see the photo above), jasmine infused, dark chocolates, green tea, black sesame, durian, chrysanthemum, figs, ginger, cinnamon.............
Friday, September 25, 2009
Shouldn't be too difficult. As Suzhou is renowned for its teahouse culture. Have been dreaming about sitting in a traditional teahouse with wooden panel doors carved with beautiful patterns and sunshine pouring into the teahouse through these doors and windows, creating patterns of shadows on the floor; sitting back on those traditional bamboo or wooden chairs...
To my dismay, it is certainly ten times easier to find cafes than teahouses! It was only after a long relentless walk and search that I finally found one--a franchise some more--meaning it is not unique to Suzhou but a product of mass production.
I like the decor of the teahouse though, thoughtfully decorated with duplicates of (Chinese) ornaments and bits and parts of Suzhou old houses. There is a drum stone (usually found at the sides of the front doors of the traditional Chinese old houses), a duplicate of an arch stone bridge (which Suzhou is renowned for), decorative panels of wooden doors (ancient panel doors were usually carved with a lot of motiffs), bronze door knobs (ancient style, those with huge rings to be used to knock against the doors) ......it has a nice ambience. Each sitting area is separated either by a curtain or a screen for privacy. Nice thought.
There is a free flow of hot water for the tea that you ordered and FREE flow of food. There is a kitchen that is always churning out food. You can place order for a dish or the waitress/es will carry trays of food that is freshly prepared from the kitchen and serve them round. It is not a wonder to find the patrons at the teahouse twice the size of a typical Chinese. There was a table next to us who were always sweeping all the food off the trays whenever the waitress/es come around and I caught them having a siesta on their tables when we first came in. There is no restriction of time apparently.
According to its brochure, this teahouse has outlets all over China and prides itself as the representative of the tea culture in China, just like Starbucks for coffee culture. I almost spat out my tea, for two reasons: one, Starbucks is an icon of coffee culture (probably the culture of drinking coffee but definitely not a culture of drinking good coffee); two, a Chinese teahouse equating itself with a Western symbol.
Seriously, I will not be surprised that ten years or so down the road, in China, the Chinese will only be speaking English among themselves and that Mandarin will be redundant among themselves.
Saturday, September 12, 2009
If you compare the gardens of the West with Suzhou Gardens, it helps to put Suzhou Gardens in perspective. Upon the entrance of a garden in the West, a visitor is able to, most likely, be granted an omni-vision of the garden. It is the contrary for a Chinese garden as the architect of the garden prefers to shield the rest of the garden off the visitor so as to unravel the surprises with every step he takes. Taking pleasure at a time so as to leave a deeper impression on the five senses of its visitor.
Suzhou gardens are actually private residential dwellings constructed alongside with the gardens. They are both a place to live in and a place to unwind.
The emphasis of visual effect
Chinese gardens are paintings and I meant it literally.
(The same doorway projecting a completely different “painting” altogether from different angles.)
2) Creating paintings at corners. Not a corner is spared in the effort of creating the photographic effect in the garden. The main themes are: mountains and forests. Artificial rocks are used as a means to bring the mountainous landscape into the household artificially whilst bamboos and banana plants for forests.
Spot the painting.
3) Reflection. The reflection of the water offers such wonderful visual distortions and the play of light that this quality of water did not escape the notice of the architect. Not forgetting the infinite possibilities of reflections with the changing daylight and the touch of breeze or the movement of fish in the water.
4) Real paintings in frames. Besides making paintings in the walls, paintings can be hung up on the walls too. Patterns on rocks can be deciphered as paintings too. So what are the interpretations of yours of the following “art works”?
Creation of Space
It is not a matter of space but how the sense of space can be manipulated. By doing the followings:
1) Winding lanes: extending the length of a walk to create a false impression of space.
2) Walls with doorways or windows so as to segregate the garden into different, yet, connected parts. Passing through the doorway resembles travelling from one place to another. The sense of transit creates the sense of a change of space.
3) Hidden corners: Enshrouded in another world.
4) Space in the reflection of water: Away from the buildings and vegetation, a pond offers a refreshing breather and a different way of appreciating the garden at the same time.
A lot of details were taken into account in the construction of a Chinese garden. The fragrance, the colours of seasonal flowers and the range of trees were carefully chosen and positioned to achieve a specific archiectural effect with the best intention for the residents of the gardens--so that there will be pleasures in the gardens to be explored at all seasons, at all time of the day and on all occasions.
The best musical piece
Lotus leaves in the ponds are decoration ornaments to the ponds on a dry day and yet, could transform a quiet pond into a musical sensation on a wet day too with the pitter patter from the falling rain drops. Banana plants were popular in Chinese gardens for their broad leaves so as to orchestra a nice little concert in the rain too.
At the end of the day, I just wonder where did people of those days find the luxury of time and the creativtiy to entertain themselves in such ways?
Tuesday, September 08, 2009
I find Suzhou “soft” visually—its winding canals carrying boats in an unhurried manner; its abundance of greens (in their gardens) that softens the contours of the landscapes; it is soft from a cultural aspect as its people, in comparison to the northern Chinese, are relatively gentler (in terms of their dialects and mannerism) and subtle in expressions; it is soft from a social aspect, where people tend to appreciate the finer way of living and therefore spend their time excelling in embroidery, relishing in the fine arts of calligraphy, poems, operas, tea appreciating and idling their time in tea houses and gardens—a stark contrast to their northern counterparts in Beijing.
(Canals are definitely one of
A Suzhou that is independent of Venice
The Chinese definitely has a terrible inferiority complex in the presence of the West. More often than not, we often need to ascertain our own worth and standard with an equivalence of the West (in whatever ways).
(Some of the remaining canals to meander through the modern city, serving as a reminder and reminisce to those days of prosper.)
In terms of the length of history and the size of trade,
Looking away from economic growth, Suzhou was once a cradle of literary arts and an inspiration for artists and literati.
Not forgetting to mention the unique Chinese architecture manifested in the creation of
(Bus stops and public toilets manifested in the traditional architecture style of Suzhou--white washed walls and grey tiles)
Sunday, September 06, 2009
This is my second time to Suzhou but the first time to notice its station. It did not look modern in terms of design but it was a very impressive station in terms of its size.
(This is the other end of the platform where I could only see the head of the train which was 13 or more wagons long.)
The entrance was located in the middle of the building and our train stopped at the east end of the platform. It took us about 10 minutes of walk to reach the exit/entrance. I later learnt that (from Wikipedia) appromixately 130 trains passed by
This explains the size.